Commercial posters
Large-format campaign work built for four metres away and four seconds of attention. Spot colours specified, proofs signed off with your printer.
Graphic & packaging design
Packaging is the first conversation your product ever has.
We design that conversation to be unforgettable — in ink on paper, in texture under fingertips, in the quiet authority of an object built properly. Posters, binding, FMCG cartons, exhibition graphics.
Four disciplines
We don't do everything. We do these four things properly.
Book binding & editorial
Section-sewn, Swiss-bound, case-bound. Grid, paper stock, spine measurement and foil blocking handled as one decision, not three.
FMCG packaging
Shelf-ready cartons, sleeves and labels. Dielines, barcode zones and legal panels resolved before the artwork ever looks pretty.
Exhibition graphics
Stand walls, wayfinding and vitrine typography sized to the room. Installation drawings your fabricator will actually thank you for.
Structure first
The dieline is the design.
We start every packaging project flat: a folded white mock-up on the table before a single colour is chosen. Structure decides how a box opens, how it stacks, how much board it wastes. Get it wrong and no amount of typography rescues it.
Ink & stock
Paper is a material, not a background.
Uncoated stock drinks ink and softens edges. Coated stock holds detail and throws light. We choose the substrate alongside the palette, then prove it on the actual press rather than a calibrated screen.
On the shelf
Design that survives a supermarket aisle.
A pack competes with two hundred neighbours under bad lighting. We test artwork at thumbnail size, in greyscale, and behind shrink film — because that is how your customer meets it, not framed on a portfolio site.
Questions we get before the first invoice.
Straight answers. If yours isn't here, email the studio and you'll get a reply from a designer, not a form.